Live Workshop – Pack Shots Product Photography

Speed and efficiency are key when it comes to shooting pack shots, which is why it’s important that you have a lighting setup that’s both suitable and simple. In this live photography class Karl shows you exactly how to set up and photograph effective pack shot product photography.

Working through multiple products, Karl demonstrates just how important perfecting your lighting setup is. Starting with a simple two light setup, he shows you how you can work in a small studio using just basic modifiers to achieve a professional result quickly.

In this product photography workshop you’ll learn how to achieve a clean white background, photograph reflective surfaces and control unwanted reflections and shadows on your products. Working through each step, Karl explains everything you need to know to ensure a great result each time.

In this live photography workshop we cover the following:

  • Product photography: Packshots
  • How to photograph pack shots
  • Studio lighting setups for pack shots
  • How to get a pure white background
  • How to photograph in a small studio
  • How to control shadows
  • Controlling reflections on shiny objects

For more on how to photograph pack shots, watch our white background product photography class.

If you have any questions about the show, please use the comments box below ?


    1. Hi Gregory, if used carefully yes but it is difficult as it can be quite close to your subject and then ends up lighting your subject if you are not careful with your exposure level.

  1. Karl,

    On some of the glossy bottle surfaces I noticed the mono stand reflection was reflecting in the bottle. Would black card around stand or camera cut those reflections out or would you just take it out in post?

  2. The best techniques in shooting at off-white background. Simple tips can make you go further and give you high-end photography results. Doing the hard thing in a simple way and that what you Karl offering us. The best education platform I ever discovered! Please keep up the great work. Proud to be a member in this community.

  3. Karl,

    Using your techniques, I was able to complete a pack shoot from a new client and get a much hire rate. Because my samples were much better than others, the client agreed to my rate of 1200.00 usd. You ROCK!!!

  4. Hi Karl,

    Thank you for the videos and all the tips. Quick question. In regards to the LaCie Rugged Mini Hard Drive. When compared yours to the version on Amazon (US), for example, your box is uneven ( I know you are just demoing. I am not criticizing). Naturally this will be an issue with some boxes, therefore some photoshopping will be needed. (Not to mention that the box was shot from above so the horizon line was probably photoshopped out.) When you come across something like this, how do you adjust pricing? Clearly work goes into it to fix the box and take care of horizon and making the base white while the box shot is not even the hero shot. Thank you in advance.

    1. Hi Marty, if your customer is not going to supply you good boxes then yes you need to let them know there will be a charge to cut and glue.

  5. Hello Karl! a very useful lesson, I just want to ask if this same scheme can work for another type of product, hats for example, always for an ecomerce.
    thank you

    1. Hi Luis, yes generally speaking this will work for most product pack shots where you need a white background.

  6. Hi Karl, thank you for this amazing education.
    I have one question may I use a big octobox instead of big softbox?

  7. Hi Karl, i’ve a question about how to create a pure white flloor in a total body shot.
    I’m struggling to create a 100% white at the feet of the person at the floor in one shot. No problem with a white backgroud at the back, but at the floor i’ve to use photoshop to compensate. I think i’d use a shiny surface piece of sheet under the model but i’m interested in a way where the floor is pure white whitout nothing except the white floor.
    Thanks in advance,

    1. Hi, this is often a tricky one as you generally need more space to do it correctly but it involves a light high behind your model pointing at the floor towards camera but you have to be careful about the light hitting the model too.

  8. Hi Karl,
    Just joined you education program and this tutorial has really helped and made some coins drop.

    Thanks for a really comprehensive video!

  9. Hi Karl

    What does MDF stand for as I like those blocks.
    Currently I use milk crates which are also useful as you can vary the height with ease.

    1. Hi Elizabbeth, I think it stands for Medium Density Fibreboard. It’s basically a type of wood made from other bits of wood and sawdust.

  10. Always love watching your very informative videos. I have learned a LOT on them. I find myself many times fascinated by the gear and equipment that I see on your videos! Granted I know not all of it is NEEDED, but some is very interesting. I was curious the brand, and if possible the product number of the camera “stand” you used in this video for the Hasselblad camera. It is enormous and I am almost affraid to find out how much one of those things costs. However it seems to be so much easier to set up minor changes in height and camera angle, and I am thinking that a series of Pack Shots that it would be invaluable.

  11. Amazing as usual!

    One thing, I would LOVE, if possible, to get links with where I can buy the materials you are using in your tutorial (and not only this tutorial, but in general) here in US. I find it so hard to find them…


  12. Hi Karl, Thank you so much for the great effort you are exerting here, really appreciated. one question please, can we reach the same result with a different type of white material other than the reflective one (i am talking about the table on which you place the packs). thanks

    1. Hi Yassin, a white gloss table would be needed or you wouldn’t get a good white. There are alternative ways with a matt white but then you have to also light the table from behind with another light.

  13. Hello Karl… i have a customer that he want to shooting some prodacts, but the problem is he has glass cup for shooting and that is transparent… he want to fix menu, also he want with white backround… that is little bit difficult…. because the glass disappeared… i need some help…. thanks…

  14. Hi Karl

    While doing the Clinique shot you put a foam board with a hole for lens in front to illuminate the “C”. You mentioned that if one wants the “C” to be more brighter then one would bounce light of the board, but to be careful with flare.

    1. How can one know if flare is present in the shot, and
    2. How would you prevent flare? the only thing that I can think of is to bring the light source as close to the board as possible and to use a reflector (P7 or snoot) to limit the ball of light to a specific area on the board, will that work? any other way to control flare?

    Thanks a lot for your advice.


  15. Good evening Karl. I tried to shoot a sculpture which was one of the hardest I ever had. It was a sculpture of 2 people sitting on a ball, the whole item is made from inox, it’s like shooting a mirror. I spent 3 hours trying to adjust the light and camera angle. In the end I was left with one black whole in the centre and some small areas to retouch. How, woud you light it. I can email you a photo of the sculpture if you wish to see it.
    Many many thanks for all your hard work.

    1. Hi Aby, I’m afraid we can’t give individual advice on a particular shot or set up. From what you are saying though it sounds like you were along the right lines and shooting through the hole like I did in this live show. At the end of the day you just have to think about the physics. We have a new jewellery and rings tutorial coming soon and I think you will find the lighting setup used for the rings useful, look out for that one soon.

  16. Hi, what if I use photography table and use bottom strobe and 2 for the background? Could you advise the best way how to set up lighting?

    1. Hi Martynas you could use a photography table with the acrylic rise at the back and then light through this but I fear that you could easily end up lighting the product by mistake in this smaller working space. Personally I don’t like the photography table option.

  17. Karl,

    You ARE the best Photography education channel in the World. There is no comparison. Others do not have the passion to teach nor do they know or can explain basics like you do. No one even have the courage to do live shows.

    Your live courses and tutorials are well planned and you break complex scenarios in digestible bites. The best thing I like is how you use everyday objects as tools to assist.

    If you do take request, then please do tutorials on shooting Jewelry with Diamonds/Gemstones, it is quite challenging and no one has a clue how to get it done and explain the steps logically.


  18. Un saludo desde Colombia …
    No hablo el Ingles, pero he tratado de comprender paso a paso … muy valioso tu trabajo


    1. Hola Carlos! te recomiendo ampliamente que busques cursos de inglés y lo practiques, te lo digo como fotógrafo, el mejor contenido en educación está en inglés y los tutoriales de Karl son de lo mejor que he encontrado en 13 años de estar en esto.


  19. Hi Karl, greetings from Germany.
    Please can you tell me the size of your mdf standing block.

    Best wishes Martin

  20. I like all your videos, I find them so valuable, but…I like the live shows the most because your in the thick of it. It can go wrong and we see you become more human and then the way you answer live questions can be hilarious!

      1. Hi Karl i followed this video with so much intention and try all your tips and i have to admit that it changed my life lol sometimes we stay focus on different things and forgot let say the basics …. Thank you for this video (Michael)

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