17. Simulating sun and shadow Create stunning results with shadow and light in this single light set up and discover some key tips for producing controlled shadows even in the smallest of studio spaces. Comments June 28, 2017 Log in to Reply Kent Skjønnemann Super setup, very well explained… June 28, 2017 Log in to Reply Karl Taylor Thanks Kent November 17, 2017 Log in to Reply Stephen Johnson I’m very new to this and I love Your work. But what are your camera setting to do this. November 19, 2017 Log in to Reply Karl Taylor Hi Stephen, I would have explained that during the shooting, however this is not really a question that is important and often one that actually adds confusion. To understand why make sure you are fully up to speed with the first 15 chapters of this particular course and if there are any questions thereafter then comeback to me. Cheers Karl. July 2, 2017 Log in to Reply Doris Schmitt hello, how called this cards and where i can buy this? July 3, 2017 Log in to Reply Karl Taylor Hi Doris and thick black card would work. I was using a type of card called black ‘foam board’, if you are trying to source some it is commonly used by picture framers and sign makers. August 4, 2017 Log in to Reply Frederik Tennholt Great video! Would it be possible to achieve the same contrast in her face, only using black flags (or black foam boards) isolating the model from bounce lights, instead of darkening all walls in the studio with fabric? August 4, 2017 Log in to Reply Karl Taylor It would work to an extent but I’d put black fabric on the foam boards as I find even black ones bounce light back in. You will still get light coming in from front though because this area won’t be shielded so a black studio would be more effective. August 26, 2017 Log in to Reply David Caballero A great lesson, indeed. I see the picture, however, with a slight rim of light running down the head, neck, right shoulder and back of the model, somehow separating the figure from the dark background. What do you think? October 11, 2017 Log in to Reply Kryn Sporry Hi Karl, I noticed that you were directing the model to twist her shoulders forward. I’ve seen that a lot with fashion poses. Could you explain why this is? (Sorry, this question may not be appropriate for this lessson, I just noticed it during this lesson) October 12, 2017 Log in to Reply Karl Taylor Hi Kryn, more often than not there is no specific reason other than I’m looking for shapes, lines or curves that look aesthetically pleasing. There is also the element of unusualness to a pose that if controlled correctly can look interesting and arouses curiosity in the viewer. The ultimate goal of any photograph is to retain the viewers interest because without that the picture is a failure. As such myself and many photographers will utilise various techniques from subject to colour to content or whatever we can to make the image more ‘interesting’. October 13, 2017 Log in to Reply Geoff Guthro Some beautiful photography in this tutorial. Very inspiring ideas. Great advice using a black fabric curtain system in a studio. I’m going to definitely experiment with technique. February 23, 2018 Log in to Reply Carlton Hart Totally awesome Karl!!!! March 25, 2018 Log in to Reply Stanley Desbas I JUST signed up for the class. very well done What if you don’t have a big studio, can I use 4 x 6 blackboard to block the reflection and will I get the same result? Thank you Stanley March 25, 2018 Log in to Reply Karl Taylor Hi Stanley, yes and I suggest you watch the videos on this course starting at number 1 going forwards as it will cover this concern and any other you might have. I guarantee that come the end you will no more about studio lighting than you realised possible. June 28, 2018 Log in to Reply Aliyu Musa Karl you really got my attention thanks for the extra effort at making sure we understand what you are explaining June 30, 2018 Log in to Reply Karl Taylor Thank you Aliyu. Comments You must be logged in to leave a comment.