60. Small office space portrait

Working on location at a clients office can often be a daunting task, especially if the space to work in is small. Karl shows you his top tips for getting great results, what to look out for, how to pose your subject and how to light them.

Comments

  1. It would be nice to see how Karl would approach this shot if the window and glass divider weren’t available. Solid walls in a small room would have created a different challenge.

    1. Hi Michael, if it had been that scenario I would have possibly opted to put a softbox on my right (to the right of the chairs) but out of view of camera and put a white board over the window and shone a light with a wide grid into that white board/reflector. Every room has its own challenges and I’ve shot hundreds of business people in a variety of situations from small offices at home to executive offices at the top of skyscrapers. I always found using an assistant the best way to test the light and build a solution, this can sometimes take an hour or more of testing and repositioning lights. But the most important thing is getting it to work and then getting the client in when you are ready and the key is that I’ve always made sure I left plenty of time for the testing. It’s the knowledge of light in chapter 1 of this ‘Light Source’ and the earlier chapters of this course that means you can usually work your way out of nearly any scenario.

  2. Karl, using the flash set up, you said your aperture with the 85 mm Lens was 1.8. How about your ISO Set up. Was it at 100?

  3. Karl, at timeline 10:07 you scrimed the outer window, but I noticed you had a shade that might did the same, if pulled down. Did you use the scrim so you could have a consistency in the light given the fact that you used the same scrim on the inner window? Would have been a difference if you just pulled the shade down?

    1. Hi Bogdan, the shade on that window was a solid black out shade that blocks all the light, had it been a diffusor type shade then yes that would have worked.

  4. Hi Karl, Great video.
    Based on your experience,in business shots like this one, how many poses or different scenarios in average do you create for a single person?
    I mean, if you could throw an average, how many different looks does a business person go for when they request your services
    Thanks,
    Raul

    1. Hi Raul, I create one. The best one for the person based on the room, the shape of them, how they sit and what they look like and how comfortable they are. They are generally only small tweaks or variations to what you saw here.

  5. Hi Karl,

    Could i create this scenario with a couple of speedlights if i don’t have the more expensive studio lights available?
    What would be the downside to this approach?
    thanks,
    Adam.

    1. Hi Adam, yes of course you could. I’d use them in full manual mode and adjust the power to suit the scenario, TTL just won’t cut it. The downside is you don’t have any modelling lamps to see what you are setting up.

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