02. Perfume Product Shoot Comments December 13, 2017 Log in to Reply Gurushankar Subramanian Super tutorial! I really enjoyed the bit with the iphone. Seems like a bit of a faff but works really well. December 13, 2017 Log in to Reply Jeongun Cha Wow I never even thought about that technique of iPhone. You really are master of photography physics! December 13, 2017 Log in to Reply Ted Eggs Another great tutorial Karl. What I love about your explanations is not only the ‘what’ but also the ‘why’. You also mentioned buying a larger than one thinks sheet of perspex. What is the size of the sheet you used? It looks about 1×1.5m. December 14, 2017 Log in to Reply Karl Taylor Thanks Ted yes this one was about 1×1.5m a bigger one would have meant I could have moved it a little further back. December 16, 2017 Log in to Reply Vishwas Nagaraju Neat shot Karl. Have a question here, for minute details also you were trying to work on lights and reflections, why couldn’t you opt for fixing it in photoshop ? Like the label glow, couldn’t that be fixed in post ? We could have eliminated the pico light altogether. Please share 🙂 December 18, 2017 Log in to Reply Karl Taylor Hi Vishwas, quite simply when you artificially create this in post it looks artificial. The more post work you do the more it looks like post work is done. The more work you can do in camera the more real it looks. Finally and probably equally as important is I can not only make it look more real by doing it, I can also do it quicker than I can in post. December 27, 2017 Log in to Reply Ryo Hi Karl, one question. I am not really understand what is the shadow paper mean. Could you please explain more about it ? January 3, 2018 Log in to Reply Karl Taylor Hi Ryo, I’m sorry I don’t understand what you mean can you tell me what time in the video you mean and I can check to see what I said. December 30, 2017 Log in to Reply Riccardo Simbolotti Hi Karl, great tutorial, really.! Just one question: Is your Hasselblad mirrorless? I’m just asking ‘cause I already knew the technique’. Thanks for sharing your expertise with us. January 3, 2018 Log in to Reply Karl Taylor Hi Riccardo, the H series cameras have mirrors. January 4, 2018 Log in to Reply Riccardo Simbolotti Hi Karl, my previous question about the mirror of Hasselblad camera, had some meaning, although not well explained. Why don’t you use a light source through the viewfinder of the camera to light up the subject and project the shadow needed to shape the reflector? January 8, 2018 Log in to Reply Karl Taylor Hi Riccardo, i’ve never tried this but I’ll take a look 🙂 February 7, 2018 Log in to Reply Jens Mueller … my thought, exactly 🙂 That’s what i do for cutting the shadows. The only problem is, the light gets darker and it’s getting harder to draw the lines. Great tutorial, Karl – thank you! January 12, 2018 Log in to Reply Gina Heaton I know the torch on the iPhone is the beam of light but how do I access the torch on my iPhone? Until recently, I was an Android user. January 12, 2018 Log in to Reply Gina Heaton Is the smart phone torch an app for the iPhone? January 17, 2018 Log in to Reply Karl Taylor Hi Gina, no it’s just the built in torch. January 12, 2018 Log in to Reply Gina Heaton I found the flashlight that you are calling a torch. I think what Ryo, up there, wants to know and I want to know is how does the camera not see the paper cut out. Look at about 18:40. I heard what you said was the reason the camera doesn’t see the paper cut out but I don’t get it. I know or think you said it’s the perspective of the way the paper cut out is sitting in relationship to the camera lens is why the camera doesn’t see the paper? Sorry I know you are busy so if anyone wants to jump in feel free. I just need you to explain that again. Thank you. February 5, 2018 Log in to Reply Miguel Gomez Hi Gina, the reason why the camera cannot see the paper is because the bottle of perfume is blocking the paper (which is just a projection of the bottle) from that perspective. If the camera or the bottle or the paper were moved, it wouldn’t work. January 13, 2018 Log in to Reply Russell Gray Would black card under some clear perspex achieve the same results as black perspex? February 7, 2018 Log in to Reply Jens Mueller There might be double reflections to be seen then, because black perspex only shows ONE surface. January 13, 2018 Log in to Reply Sourajit Banerjee Hi Karl, Firstly great work. I’m a big fan of your work. I was just wondering, in one of your whiskey tutorials earlier you taught us how to bounce light via reflector card, placed behind the bottle and then we bounce lights through the liquid to create the glow. Why didn’t we use the same method in this shot? is it because of the camera angle or some other reasons. Thanks in advance. January 17, 2018 Log in to Reply Karl Taylor Hi Sourajit, simply because back then I hadn’t thought of this new technique, it was only when I was thinking about the physics of light and perspective after having done a project on image projection for the BBC that I realised how much easier it would be to do it this way! January 14, 2018 Log in to Reply Riccardo Simbolotti Answering to Russel: I’ve already tried but the results are far to be the same. The transparent surface thickness creates a double reflection of the object (like in a mirror) and, moreover, the glossy effect is quite different. January 15, 2018 Log in to Reply Gina Heaton Ok I watched and watched this tutorial over and over again and I finally got. It finally dawned on me that what Karl is doing, with the shadow behind the perfume bottle, is the same thing I do when I’m trying to hide my shadow when the sun is behind me when I’m out doing Landscape Photography. I totally get what Karl is doing. I’ve been doing the same thing all along but just never in a studio. Great learning experience with this tutorial. January 17, 2018 Log in to Reply Karl Taylor Hi Gina, I’m glad it clicked! 🙂 January 23, 2018 Log in to Reply Sourajit Banerjee Thanks a Karl, the best thing I love about your tutorials are your honest answers ☺️. Eagerly waiting for more videos. January 25, 2018 Log in to Reply Aby Hamouda Great tutorial.. Keep it up February 5, 2018 Log in to Reply Miguel Gomez Hi Karl, I have a question. Every time I use black perspex in product shoots like this one, I keep on getting a lot of dust showing up in the photo even though i try to keep the shooting surface as clean as possible and I noticed at minute 25:57 of this video that it is showing up there too, but when you switch to the actual photo taken it doesn’t show up. So I was wondering how do you deal with this dust spots? is there something I’m doing wrong? Also I was wondering how do you keep the surface clean? or do you also have to deal with it on post? I find really annoying that even though I try to be really careful on keeping everything clean, I keep on getting dust in the picture that sometimes its even from the cleaning cloth I used. I have to spend so much time in post cloning out this dust spots. Also I’d like to thank you for these great courses, I’ve learned so much from these. I started following you from the Broncolor youtube how to videos about a year ago and now I’m glad I signed up for this. Keep up the great work! February 5, 2018 Log in to Reply Karl Taylor Hi Miguel, first you have to make sure you studio is as dust free as possible, you can even get these machines that suck dust out of the air. Second use microfibre cloths as they don’t leave dust from the cloth, then the meths to clean. Arcylic can also become very static which attracts dust so there are ‘de-static’ devices that you can use to zap the acrylic to remove the static. February 6, 2018 Log in to Reply Miguel Gomez Thank you Karl! I’ll try that for sure! March 19, 2018 Log in to Reply Nicolas Logerot Hi, You can use an old sheet of fabric softener to remove dust from computer and TV screens, and you can also soak a microfiber cloth softener to reduce static build-up on plastic surfaces. Do not wash with water Erase the traces with a damp microfiber cloth. To erase a scratch on altuglas or plexiglas, the altuglas or plexiglas is repolished with polishing paste and felt. If the scratch is not too deep, you can also scrub the altuglas or Plexiglas with slightly wet felt powder sprinkled with cigarette ash. Rub in circular motions. This work is unfortunately slow and laborious. Be careful, do not rub dry. February 13, 2018 Log in to Reply Riccardo Simbolotti Hi Miguel, I have always the same problem although I try to get the environment dust free as much as I can. The main problem, to me, is that perspex (methacrylate) very soon is going to be scratched, even though I try to take care of it. I’m trying to search for opaline black glass which is much more heavy, but much easier to be cleaned and scratch proof. February 13, 2018 Log in to Reply Riccardo Simbolotti Hi Karl, instead of using a pico light to light up the label, provided that, as in this case it isn’t transparent, I use to make another shot with a front light and I’m going to past the new image onto the product by Photoshop. Do you think is it a wrong way? February 14, 2018 Log in to Reply Karl Taylor Hi Riccardo, yes this type of layering method in photoshop works well too. March 21, 2018 Log in to Reply Rukesh Shrestha Dear Karl Can we use black color glass sheet instead of Archilic sheet and what is the difference between both sheet. Best Regards March 21, 2018 Log in to Reply Karl Taylor Hi Rukesh, you can but the reflection isn’t as clean. Usually with black glass you get a double reflection. April 14, 2018 Log in to Reply JAVIER JIMENEZ Great lesson karl!! I love this kind of luxury product shots! Thanks a lot April 16, 2018 Log in to Reply Tim - KTE Admin Thanks Javier 🙂 April 28, 2018 Log in to Reply Siddharth Ramachandran Loved it! 🙂 Comments You must be logged in to leave a comment.