Karl talks you through the lighting and equipment needed for this shoot.
Hasselblad H5D-50
Hasselblad HC 80mm f/2.8 (Equiv - 55.5mm in 35mm Full-frame)
Hasselblad Extension Tubes H
Cambo Monostand with Manfrotto 410 Head
2x broncolor Pulso G Lamp 3200J
3x broncolor Picolites
broncolor RFS2.1 Lighting Trigger
2x broncolor Scoro 3200 S Power Pack
2x broncolor P70 Reflector
broncolor Fine Honeycomb Grid
broncolor Picolite with mini fresnel
broncolor Picolite with Projection Attachment
broncolor Picolite with Picobox
Frosted Perspex
broncolor Barn Doors
LEE Filters 216 Diffusion Material
5x Manfrotto Standard Lighting Stand
Manfrotto 156BLB Mini Stand
6x DIY Store Clamps
Hassleblad Phocus (tethered)
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Comments
Karl,
I’m sure you mention this somewhere in your lighting discussions but I haven’t caught it yet…..
While shopping for used lighting I met a pro who warned me against buying a variety of types and brands of lighting because often mismatched color temps, when used at the same time on the same product, will be unacceptable to some art directors, despite how the end image looks. If this were so then couldn’t slight variations in tones of gels or scrims be used to better balance the temps until the eye could hardly notice?
Thank you.